Issue link: https://maltatoday.uberflip.com/i/1387622
15 maltatoday | SUNDAY • 27 JUNE 2021 EYEWITNESS Dr Angele Deguara is a member of Moviment Graffitti Angele Deguara DESPITE the struggles for equality and social justice; de- spite equality legislation and the enhanced awareness about the negative effects of stereotyping, in Malta, as in other parts of the world, we still live in a society which is rife with instances and experiences of stereotyping on the basis of various factors such as age, colour of skin, disabili- ty, gender, social class, religion and ethnicity. In this article, I am going to focus specifically on gender and cultural stereo- types and on how these are often reinforced by the media which may have a central role in their normalisation and trivialisation. Stereotypes are images, rep- resentations, or characteristics that tend to be associated with a particular category of people in a generalised and often exagger- ated way. It is well documented that me- dia representations often tend to reproduce stereotypes, ine- qualities, and ideas which are widespread in society. When this happens, the effects tend to be quite powerful. Although the media may also challenge existing ideologies and per- ceptions regarding gender and ethnicities, very often women and men are portrayed in ways which reflect traditional gen- der stereotypes such as the sex- ualisation and objectification of women and the portrayal of men as strong and occupying leadership positions. There is also evidence that individuals or groups belonging to ethnic communities are represented in a stereotypical fashion on the media, often reflecting an ethnocentric approach which not only does not do justice to the cultures that tend to be portrayed as inferior, ridicu- lous or backward but also con- tinues to encourage cultural divisions in society rather than a multicultural, open society which embraces diversity. The media has various means at its disposal through which to transmit its messages. One tool which may be used by the me- dia to reproduce stereotyped gender or ethnic representa- tions is satire. Satire is the use of humour for critical purpos- es. Its aim is to engage with is- sues, particularly of a political nature, in a humorous way in order not only to ridicule them in a critical fashion but also to instigate critical debate. How- ever, rather than reaching such aims, the use of humour by the media may serve to further re- inforce widespread negative assumptions about certain categories of people such as women and ethnic minorities. Under the guise of satire, the media may reinforce rather than challenge gender and cul- tural stereotypes, leading to the trivialisation and normali- sation of sexist and racist ide- ologies and experiences. One example that can be mentioned is a sketch that was aired on the national televi- sion station during the Mużi- ka Mużika festival some weeks ago. The sketch involved the presenter of the show and Mr Bubaker together with three fe- male presenters that entered at a later stage. The sketch was riddled with sexist and racist humour, to which the audience responded with laughter and enthusiastic applause. Mr Bubaker, a character from Tajikistan, painted brown-face and all, was the target of racist comments by the presenter of the show, suggesting that the culture of Tajikistan is not as advanced as that of Malta espe- cially in how we view and treat women. Mr Bubaker constantly made sexist remarks not only in re- lation to the three female pre- senters that were on the stage, but also involving other female public figures including a pol- itician and a singer as well as the presenter's wife. The tactic of lampshading was used during the show to draw attention to these bla- tantly sexist comments made by a foreigner, seemingly im- plying that Maltese men are not sexist, when the sketch was presumably written by a Mal- tese person. As Moviment Graffitti we fight against gender stereotypes and would like to see them less normalised, not least by the na- tional broadcaster. Therefore we felt that we should lodge a formal complaint about this with the Broadcasting Author- ity, which in turn asked PBS to send us its reply. The national broadcaster jus- tified the sketch by claiming that the scope of satire was to criticise issues such as sexism and racism, consequently dis- missing Moviment Graffitti's complaint. The problem is that while we believe that political satire is a sign of the political maturity of a nation, we also believe that it is a shame for the national broadcaster to use satire in a way that only reproduces ste- reotyped assumptions about women and certain ethnic communities without instigat- ing any mature debate about the subject. In our changing, culturally diverse society, a central role of the public media is to con- tribute to critical public debate and to promote social change. Hiding behind satire to spew a barrage of sexist and rac- ist 'jokes' while accusing a non-Maltese, non-white char- acter of sexism is not on, par- ticularly in a society where sex- ism and racism are still rife. Satire and the normalisation of gender and cultural stereotypes Gianni Zammit's 'Ali Bubaker' on Muzika Muzika