Architecture & Design

Architecture & Design Issue 2

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Architecture & Design | 21 deeper understanding of Malta's development capacity, such data sharing ensures that the sites are carefully reviewed when installing underground utility supplies, for example. "The scan allows us to determine what exists below our feet and ensures preservation through planning," continues Mr Gauci. "This seven-year project is led by the PA, so one of its primary goals is to strategise a way of collating data to bring together the stakeholders among Malta's authorities. Through integration and cooperation, we can take a fresh look at how we process spatial data to work with Malta's assets and boost people's awareness of them." Scanning these subterranean structures has also been eye-opening for the project's team. "I was born in Valletta and it had always been my dream to learnt more about what lay under my feet as I roamed the streets of our Capital," remarks Steve Austin, a technical officer on the project. "When I first made the descent, I was in awe of the tunnels' huge size and sheer number of WWII shelters. But I was most impressed by the large cisterns built by the Knights, in which we could even see roots hanging down from the ceiling, belonging to the trees in front of the Law Courts." Emanuel Pisani, also a technical officer on the project, had a similar experience, as he recalls. "To explore the hidden treasures and mysterious underground world of Valletta, my team and I used three entrances to access the labyrinth of lost tunnels leading to the huge cisterns. Despite the humidity, some tunnel shelters are still decorated with beautiful tiles and paintings revealing religious devotion. There are also graffiti, symbols and historical marks from enemies who attacked Malta at the time, a sign of the torment suffered. The experience has shown me that there is so much more to Valletta than what first meets the eye." Giving the public a way to also experience this subterranean network first-hand is another key driver of the project, Mr Gauci explains in conclusion. "Valletta's underworld is a significant part of our cultural heritage, with enormous scope not just for tourism but also for education. Imagine a student seeing a 3D model of these sites instead of solely learning about them via text descriptions. Plus, those who can't venture down to the tunnels in person, for whatever reason, will still be able to experience these structures through the model. We believe we're making history come alive through our work, and we hope to inspire the continued study and celebration of Malta's legacy for years to come."

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