Architecture & Design

Architecture & Design | 25 A n architect's job does not merely consist of designing units or edifices that are both functional and pleasing to the eye. When we are consulted on developing a property, we cannot simply look into the potential of a site and the allotted budget, but we also have to understand the client's present and future needs and act accordingly. Moreover, in most projects, a client will tend to modify the development through minor or major changes, with a substantial number of these changes occurring once the relative permits have been issued and the development has commenced, thus resulting in quite a 'grattacapo' for the architect involved. Having said that, as architects and civil engineers, we have to admit that we particularly enjoy the final achievement even more when it is difficult to attain, even though we are generally relieved when a project is completed to the satisfaction of the client. While these alterations are considered by many in the profession to have become standard procedure, the same may not be said in the case of LULU, situated in the heart of Żebbuġ, where a complete 'change of plans' from a family home to a boutique hotel was requested half-way through the project. However, as very often happens in the projects we periti tackle in this profession, the 'modified' result was exceptionally rewarding. It was 2008, when Liudmila and Clive Simpson approached Perit Tony Muscat with a view to transforming a dilapidated, late 17th Century house, situated in one of the oldest areas of Zebbug, into a home in which to raise their family. They had just purchased the house, after months of negotiations with the vendors and were extremely enthusiastic about transforming it into the home of their dreams. After consulting with Perit Muscat, they started off by requesting the design of a large living area at ground floor level and four bedrooms, each having its own ensuite bathroom. However, both their enthusiasm, and consequently the size of the project, escalated exponentially when they also requested the inclusion of a fifth bedroom (with ensuite), a second (outdoor) kitchen, an indoor jacuzzi and a pool. Although they had originally regarded the house as being a home and safe space for their family of four, they soon started seeing it as a point of reference for their families to visit, and to host their children's friends, stressing the point with Perit Muscat that they loved the idea of having a mini 'community within the community'. Clive Simpson had set his eye on the said property quite a few years prior to its actual acquisition, as the house had played an important role in his childhood. In fact, the place was originally occupied by a farmer who used to breed chickens and rabbits, and was a point of reference within the quaint area of 'Tad-Dawl' within Żebbuġ. Clive remembers accompanying his parents to purchase eggs there from time to time. Clive's grandfather, who also lived in Zebbug, used to tell of the house's importance for the community, in that it provided the families living in the area with various dairy products and meats. The dwelling used to also house a small mill and would provide bread for the residents living in the close neighbourhood. They would make use of a horse- drawn 'karettun' to and from the house. This house, in fact,

• Cover