Issue link: https://maltatoday.uberflip.com/i/1512115
maltatoday | SUNDAY • 26 NOVEMBER 2023 5 ART Xewka F'Qalbi Xewka F'Sormi: The journey from victimhood to survivorship LAURA CALLEJA speaks to curator Rachelle Deguara about Xewka F'Qalbi Xewka F'Sormi a collective exhibition celebrating 10 years of the Women's Rights Foundation. Curated by Deguara and developed conceptually with Emma Agius, the exhibition features twelve different artists exploring the subject of rape culture, a culture which normalises or trivialises sexual assault or/ and abuse Can you explain the inspiration behind this exhibition? The inspiration for this exhibi- tion came from the importance of addressing a subject matter that aligns with the mission of our Women's Rights Founda- tion, as we celebrate 10 years since its establishment. Col- laborating with artist Emma Agius, we carefully considered and chose the concept of ad- dressing rape culture and the journey from victimhood to survivorship. Through several productive meetings and get- ting to know Emma and her art practice, we agreed on the name Xewka F'Qalbi, Xewka F'Sormi. What does the exhibition hope to achieve? The objective is to amplify the voices of the artists while also promoting the initiatives of the Women's Rights Foundation. The exhibition strives to pro- voke thoughtful dialogue about societal attitudes towards rape culture within the local commu- nity, drawing upon the efforts of the Women's Rights Founda- tion. The aim is to foster discus- sions on the importance of con- sent, education, and prevention. Can you tell us more about the name? The name, Xewka F'Qalbi, Xewka F'Sormi, arose from our regular discussions that have been ongoing since April. Dur- ing these conversations, we an- alysed Emma's sketches and no- ticed the intricate details, which reminded us of thorns. It was during one of these discussions that Emma shared the occur- rence of sexual abuse during La- dy of Sorrows Day. This led us to explore the artistic concept further and connect with other artists, ultimately realising the significance and potential of our project. In subsequent meetings, we delved deeper into the after- math of abuse and Emma's de- sired state of mind. We explored how art can serve as a vehicle for healing, and how this transform- ative process is reflected in the artwork presented in this exhibi- tion. Our discussions progressed beyond personal trauma and encompassed a broader societal perspective. We envisioned a world where such pain no longer holds power over us, where it becomes a minor inconvenience akin to a thorn in one's side. During the process of curating this exhibition, did anything surprise you? Addressing the topic of rape culture is undoubtedly a chal- lenging task, both in terms of understanding and visual rep- resentation. Rape exposes the enduring inequality present in our society, as well as in others. It is an act rooted in power and control, disproportionately af- fecting women and girls. The survivors of rape carry deep wounds and trauma, often hid- den due to the shame associated with the experience. I was pleasantly surprised by the level of trust, bravery, and openness exhibited by the artists and other collaborators through- out this project. It became clear to me that this undertaking held great importance and provided a platform for the expression of numerous stories through art. After encountering challenges in locating a suitable venue for this art exhibition, we are ex- tremely grateful for the warm welcome we received at Rosa Kwir Gallery. We extend our heartfelt appreciation to our hosts, the talented artists Rox- man and Charlie. What should the audience expect from this exhibition? Please note that the exhibition covers sensitive topics such as rape and violence. While some individuals might find it healing, it's important to consider that others may be traumatised by it. The audience should antici- pate encountering genuine emo- tions and raw feelings conveyed through various artistic medi- ums. If one allows themselves to truly engage with the exhibition, it has the potential to leave a lasting impression. Do you have a favourite piece from the exhibition, or rather, a piece that stands out to you? It can be quite challenging to select a favourite piece, acknowl- edging the collaborative effort and collective creativity involved in developing most of the works. Moreover, I am particularly proud of the title associated with this project. Xewka F'Qalbi Xewka F'Sormi is a collective exhibition by Emma Agius, Isaac Bezzina, Silke Debanant, Nicole Sciberras Debono, Nik Ebejer, Saaqia, Claire Farrugia, Shanice Farrugia, Robin Cassar Fiott, Sam Vassallo Francesca Zammit and X. Above: Rachelle Deguara