Issue link: https://maltatoday.uberflip.com/i/501315
II This Week maltatoday, Sunday, 26 april 2015 Creating opportunities for young musicians Just ahead of the third edition of the Malta international Music Festival, TEOdOr rElJiC speaks to its artistic director Mro alan Chircop, who explains what's in store in this year's round-up of classical music performances and masterclasses What was the guiding philosophy behind the setting up of the Festival? This is the third edition of the Malta International Music Festival (MIMF). As from this year I have been entrusted with the artistic direction of this festival. The first two editions had already proved to be very successful, attracting many international participants and good following from Malta. This year, the MIMF grew almost double in terms of num- bers, due to an increase in the number of foreign Professors who shall be conducting mas- terclasses in pianoforte, violin, violoncello, clarinet, saxophone and chamber music. The same applies for the number of daily concerts which will be present- ed at several venues in Malta and Gozo during the ten days of the Festival. Moreover, this year we will be holding international music competitions for string and wind instruments, apart from pianoforte. The main aim of the MIMF is to present an international music festival and competition on the same lines of similar classical music festivals abroad, attracting many participants from many different countries, while enabling Maltese music students, teachers and music- lovers alike to benefit from such an opportunit y locally. Sev- eral internationally acclaimed professors this year will be conducting master-classes, attracting over 70 participants from 15 different countries who will also perform during the daily concerts (April 27 till May 6), while around 85 participants from 28 different countries will take part in the international music competitions for piano, string and wind instruments (May 6-10). Putting this Festival on the list of annual Classical Music International Festivals serves to attract the attention of such numbers (in terms of number of participants from all over the world). It also means putting Malta on this particular map of Classical Music Festivals and Competitions. This, together with the provision of qual- it y teaching, performances, concerts and competitions of high standards and competitive levels, is the main goal of our festival. To broaden the collabora- tion in order for many Maltese students to benefit from this international opportunit y in Malta, this year the Festival is being presented in collaboration with the Johann Strauss School of Music – Malta and the Malta Band Clubs Association. How did you set out to locate the necessary young talent that will participate in the festival? Promotion has been done on the internet, through social media and forums of students who are seeking participation in international festivals and competitions. Moreover, we got in touch with many Music Academies to disseminate the information. Certain Academies even held auditions to choose participants who would repre- sent their institution. We also have close collaboration with other European Music Festivals and thus the network keeps growing every year. Students participating in the master classes will be coming from Germany, Italy, Russia, Georgia, China, USA, Spain, Ja- pan, Turkey, Armenia, Switzer- land, Ukraine, Lat via, Singapore and Malta; while the nationali- ties of participants taking part in the International Competi- tions include Austria, Belgium, Taiwan, Israel, Germany, Italy, Russia, USA, Spain, Japan, Turkey, Armenia, Switzerland, Georgia, China, Ukraine, Lat via, Singapore, United Kingdom, Romania, Poland, Netherlands, Slovenia, Canada, South Korea, Lithuania, Kazakhstan and Malta. What tangible benefits do you hope the students will get from the master classes that they may not currently be getting from more 'conventional' educational channels? Traditionally, music students – be it at whatever level of stud- ies they are at (Music School, Pre-College/Academy, Graduate or Masters level) or even young artists at the beginning of their professional career – seek to have master classes with profes- sors and acclaimed internation- al artists who could give them a broader spectrum, inspire them or motivate them towards the professional and artistic life, with special emphasis on performance and concert prepa- ration or in view of upcoming auditions, exams, competitions, concert tours festivals, and so on. Most musicians seek to have as many master classes as pos- sible with as many different internationally acclaimed artists during their musical career, as they can be exposed to many different ideas, interpretations, techniques, and in-depth musi- cal creativit y from international Masters. All these experi- ences and attained knowledge integrated within their studies with 'their' master, i.e., their personal tutor, are usually very refreshing and inspiring, as one is always reminded, that you never know enough and there's somehow always something new to learn or improve or become aware of. That is the main reason why master classes conducted by renowned professors and ac- claimed artists are always in demand and well attended: one always walks off with a special learning and inspiring experi- ence which one would then find useful and beneficial to work upon in his/her development. How was the Festival faculty chosen? We have sought professors and international artists who have a vast pedagogical but also a remarkable international career as performers. The best teachers are usually the most experienced performers and vice-versa. Moreover, apart from their curriculum, career and positions held, we also sought professionals who are very out- going and are known to deliver- ing remarkable master classes at other international festivals around the world. What inspired you to set up competitions for various age groups this year? Basically, we really wish to give more opportunities to young- sters, and to encourage them to participate and have a good experience, without putting age as a stumbling block. Moreover, for the more advanced students it is more interesting to compete with upcoming artists who wish to take on a professional career. Thus the different categories make the competitions more appealing for participants, while they aspire for higher levels and standard of performance. What's in store for next year's edition of the festival? We would certainly want to keep on building on this year's achievements and seek- ing more partnerships with other festivals. Once this year's festival comes to an end, we would evaluate the areas that we would want to retain and set our targets for next year's festival. We have some specific ideas in this regard, and we' ll surely announce them as soon as we would be in a position to do so. For more information on the Malta Music Festival, log on to www.maltafest.eu Mro Alan Chircop