Issue link: https://maltatoday.uberflip.com/i/770367
maltatoday, SUNDAY, 8 JANUARY 2017 30 This Week Open minds and ears to the ground How did you hit upon the idea for the exhibition, and why is the 'one min- ute silence' your start- ing point? This is my first solo exhibition in some eight years. It took some time to come up with a per- sonal project. But it was also a good timescale to listen to what others were saying. There is so much information out there, and so easy to create information through social media platforms, that at times you forget to listen. Everyone seems to want to participate in conversations but very few are interested in taking the time to listen. I want to make sure that I am putting forward a decent argument or at least something interesting. For this exhibition, I am trying to under- stand what comes after that one minute of silence of grief and mourning. As my friend and artist, Caesar Attard once told me: "The role of the artist is not that of finding solutions but that of questioning." So, let us put this question out there and see what comes from it. What kind of conversation do you think we need to have about terrorism in Mal- ta, and how do you think local artists can adequately address the phenom- enon in a way that's cogent and relevant to our immediate environment? Malta now forms part of a larger com- munity so any conversation that takes place needs to have a broader context. As from the 1 January, Malta will have the Presidency of the European Union, the biggest political project post WWII. This project is under considerable strain from a number of sources. It will be a very im- portant year for the EU and we should not underestimate Malta's role in this discus- sion. For sure, terrorism will be one of the topics high on the agenda. Terrorism in Europe is nothing new. In recent memory, the UK went through a period of terrorism. Spain and Italy too. They had to deal with some terrifying pe- riods of their own. It just takes different forms. Today it has a very particular form and is having an impact on a number of communities and how we are perceiving each other. I think it is only natural to be over- whelmed by emotions especially when faced with scenes of destruction and de- spair. But this is the mo- ment to keep a clear head. To reflect, u n d e r s t a n d and find prop- er solutions. For sure one thing that we have learnt from this experience is that the bonds that keep us together are more fragile than we thought, or we never bothered much with them. This is an area that we need to work on. Malta is now in a unique position to di- rect this conversation. The kind of choic- es that we will make now will define how we and the future generations will live. Artists need to participate in this con- versation. In which format, that I do not know – that is something that everyone needs to figure it out for themselves. What are some of the direct and tan- gible concepts and materials you will be employing to get your message across for this particular exhibition, and why did you choose these media over others? The exhibition is curated by Matthew Attard. He did a very good job in giving shape to some of the ideas behind the ex- hibition. If we agree that art is a form of com- munication then we can agree that each medium, being a drawing, painting, or a video is a vehicle with which you can best express your argument. At times this is best expressed through a painting, other times through an installation and other times through a video. You need to ask yourself what do I need to bring out? What is the best medium to do it effectively? You will find limitations with everything, even within yourself. You might realize that you might not be able do something on your own and you would require some assistance in articu- lating your argument better. This is what Matthew did. I feel he provided his expe- rience in helping with making the most of the works. How do you think the ancillary events tied to the exhibit will help to flesh out the themes of the exhibition? Sometimes visual arts are not enough to carry the argument. Sometimes you need to bring in some people and ask them some questions, because, well, you cannot do that in a drawing or painting. I am hav- ing a panel debate on January 25 which I am hoping will engage further the public. I am also hoping that debates will further become part of exhibitions, especially if they are carried in a centre for creativity. The St James Cavalier Centre for Crea- tivity – now known as 'Spazju Kreattiv' – which will be hosting the exhibition, has undergone a change in both crea- tive and administrative direction over the past couple of years. Why did you choose this venue for your exhibition, and do you think it provides an ad- equate forum for the themes you'd like to put across and explore? The Centre has gone through a number of changes. Now it is more structured with a number of focal points. I think, in terms of internal structure, it is much better than how it was before. My pro- posal was selected as part of the Spazju Kreattiv's new season. So I am quite ex- cited to have it running during Malta's EU Presidency. I feel that the Centre can and should offer a forum for such themes and discussion. There is room to expand further and I think there is space for it. On the other hand, funding will how- ever remain the main challenge for many artists in Malta, especially smaller in- dividual projects such as this. I do not think that small projects without fund- ing will remain sustainable on the long run. What do you hope that people will take away from the exhibition? We are living in an age where there is an abundance of information for people to consume. So I feel it is very challeng- ing to propose something that will clear some space and occupy one's attention for a while. If I can manage to do that, then I'll be happy. If I can manage to have people trying to find an answer to the exhibition's question, then I think the exhibition would be a success. What Comes After the 1 Minute of Si- lence will be on display at Spazju Kreat- tiv at St James Cavalier until February 5 TEODOR RELJIC speaks to artist Fabrizio Ellul, whose newly-opened exhibition 'What Comes After the 1 Minute of Silence' will use digital drawings, video art and panel discussions to examine the consequences of terrorism in Europe 'Fly' by Fabrizio Ellul Untitled Artwork by Fabrizio Ellul Fabrizio Ellul