Issue link: https://maltatoday.uberflip.com/i/667669
maltatoday, SUNDAY, 17 APRIL 2016 31 This Week Stoking the lonely fire The Dominic Galea Quartet will be performing at the Tribute to Miles Davis concert, taking place on April 22 at the Mediterranean Conference Centre, Valletta. TEODOR RELJIC spoke to the quartet's drummer, Joseph Camilleri 'il-Bibi' about the great man's legacy and his own musical journey Could you tell us a little bit about your trajectory as a musician? I remember arriving at my grandparents' house in Valletta and at their doorstep we would hear my grandfather, Frank 'Bibi' Camilleri, playing jazz standards on piano. He was a huge influence for me to start stud- ying piano. Later on, my father, Joe – a percussionist himself, started teaching me drums and per- cussion. I furthered my studies at The Institute, Contemporary Music College in London from where I graduated with a BMus (Hons) Degree. I also studied privately with drum- mers such as Rod Youngs, Asaf Sirkis and Ze Eduardo Nazario. Currently, I teach at the Johann Strauss, School of Music and work as a freelance mu- sician. What are some of the most important things you've learnt over the years that have helped you grow in your music? Being passionate, humble and self-disci- plined. I also find it important to heed advice from accomplished musicians. How did your musical taste evolve over the years, and how did you incorporate this evolution in your sound? Listening to the jazz greats was and still is a very important part, I am influenced by musicians like Miles Davis, John Coltrane, McCoy Tyner, Max Roach, Philly Joe Jones, Elvin Jones, Tony Williams and the list goes on. Then I became intrigued by Brazilian and Afro-Cuban music. This motivated me to study various rhythms on hand percussion such as pandei- ro and congas. The latter research helped me achieve a more organic sound on my playing. How would you describe the influence of Miles Davis in particular and on the jazz scene in general? Miles Davis' innovative style of playing was highly conducive to the developments of jazz music including bebop, cool jazz, hard bop, modal jazz, post-bop and jazz fusion. Jazz musicians of our generation are fusing differ- ent styles; this is something that Miles started doing in the jazz fusion movement when he fused rock with jazz with the Album Miles in the Sky (1968). Are you looking forward to this upcom- ing tribute concert? What can audiences expect from it? Of course! We've included some of the most exquisite tunes from Miles' repertoire in our programme. The audience are guaranteed to have an enjoyable evening. What do you make of the local musical scene? What would you change about it? There are quite a few opportunities avail- able for artists who want to showcase their talent in Malta, which is very good. It is a pity that sometimes people attend events for all reasons apart from that to listen and appreci- ate live music. On another note, I see budding talented musicians who are very enthusiastic – my ad- vice to them is to respect and learn as much as they can from the older generation. Jazz clubs or venues where music equipment is always available for musicians would be ideal to encourage communication rather than competition. What's next for you? One week after the concert I am flying to Bergamo where I shall be playing at three dif- ferent venues – all celebrating International Jazz Day. Straight after that, I will be heading to Paris together with Joe Debono, Oliver De Gabriele and Carlo Muscat to record an up- coming album that consists of original com- positions by the latter. The Tribute to Miles Davis concert will be taking place at the Mediterranean Conference Centre, Valletta on April 22 at 20:00. Tickets are at €10. Bookings: http://www.mcc.com. mt/ drive I met many collectors, people who are now following my work for many years and providing pre- cious support. What was it like to exhibit in New York? What are some of the most important and affecting things you can take away from the experience? Exhibiting in NY was so excit- ing. I made my way there thanks to Sam Dukan – whose gallery represents me. This city has an amazing energy, and I was im- mediately drawn to it. The experi- ence was euphoric – I sold all of my paintings and met so many interesting people! An important thing is to make time to meet peo- ple – sharing your art and percep- tions is important during these trips. What's next for you? The first order of business is holidays with family and friends, to get some new inspiration. Af- ter that, I'll be heading to an ex- hibition in Neuchatel next June, March 2017 in Paris where the gallery Dukan is opening a new space, and in October 2017 in Milan. I also hope to show my paintings in Valletta come 2018, when the country will be serving as European Capital of Culture. That would be a great experience! Painting on page 29: Dans le bleu, 2016, Oil on wood, 27 x 35 cm, Courtesy Galerie Dukan Joseph Camilleri 'il-Bibi' • Photo by Sergio Muscat "Jazz clubs or venues where music equipment is always available for musicians would be ideal to encourage communication rather than competition"